Japan Day 5

Today, we had our last class where we could work on our orig­i­nal manga page. Thanks to E & SH allow­ing me hang out in their room and work on my page; I was able to fin­ish it1. Unfor­tu­nately, I for­got to bring any of my omiyage gifts with me; so I couldn’t give one to Ueda-sensai or the assis­tants who were in there2. The assis­tants and ???-san3 came with us to the hotel and later to Ghi­bli museum; so I was able to give them their omiyage then.

Then it was a fiarly long train ride and a hel­la­cious walk in mas­sive humid­ity and heat to the Ghi­bli museum. The first part of the museum we saw looked like a ticket booth with Totoro inside and beneath the counter was a port­hole with the lit­tle ash crea­tures from Spir­ited Away. A short walk from that was the entrance where we were informed they do not allow pic­tures or video to be taken of the inte­rior. *cry, snif­fle, snif­fle, sad* From the entrance, you could really begin to see that the museum was built to resem­ble like some­thing out of Nau­s­icca4. Then we got inside and WOW! It was too flip­ping amaz­ing for me to accu­rately describe it, par­tic­u­larly when try­ing to do so by typ­ing up a bunch of words about it. For the impor­tant peo­ple (e.g. those I know in real life), I’ll try to describe it to you when next we meet up. Oh by the way, if you ever get to visit Japan; the Ghi­bli museum is a MUST-SEE but you’ll need to order your tick­ets about a month in advance in order to get into it. On a slightly dif­fer­ent note, I did feel slightly cheated by the trip to the museum because they were doing a Pixar exhibit and so we didn’t get to see Maya and the Cat­bus, which is only played at this museum. Plus, the film tick­ets to see what­ever movie they play have an actual piece of film in them from one of the Ghi­bli movies. Only due to the Pixar exhibit, some tick­ets had clips from Pixar films in them and I got stuck with a snip­pet of Find­ing Nemo, while CH got a piece of Porco Rosso. *sigh* Then it was back out into the heat to walk back to the train sta­tion. I was pretty out of it by then because of the wretched heat but I think we did some­thing after Ghi­bli. I just can’t remem­ber what it was. Ah well,m if the mem­ory comes back to me; I’ll add it as a com­ment to this entry.

1 That’s not entirely true; there is quite a bit of work that still could be done to clean it up and make it look nicer but I did as much work on it as I was will­ing to do and I don’t think it looks too bad.
2 Later I gave one of the omiyage to Tanaka-san to give to Ueda-sensai for me. Of course, I also gave Tanaka-san a cou­ple of omiyage as well.
3 I for­got her name but she’s been doing some of the trans­lat­ing for us and I think she was intro­duced as the head of TCA’s manga instruc­tion pro­gram.
4 Or Val­ley of the Wind to you une­d­u­cated Amer­ica louts.

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About Mark McKibben

Mark works as a [REDACTED] for [REDACTED], currently residing in Iowa. CoffeeBear.net is a place for him to blather on about whatever strikes his fancy. He currently spends his "free" time working on a photography project, playing with his cat and attempting to keep his wife happy (not necessarily in that order).

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