Product Image: Harry Potter and the Half-Blood Prince (Book 6)

Harry Potter and the Half-Blood Prince (Book 6)
My rating: 4 out of 5.

After a two year wait, Ms. Rowling has finally released her latest book, Harry Potter and the Half-Blood Prince (Book 6).1 It’s a bit shorter than her previous book but it’s quality not quantity we’re after and the Half-Blood Prince delivers.

Rather than continuing with Harry being an angsty, little brat; Ms. Rowling gives him a bit of a fresh start. As usual, the story starts off at the Dursleys but these child abusers are quickly left behind as Harry heads off to Hogwarts. On the train, Harry meets the new professor joining Hogwarts and begins his various misadventures. As you’ve probably heard already, another charater dies in this book2 and it wasn’t who I was expecting it to be. Though if you’re paying attenion as you read the book; there is enough foreshadowing for one to figure it out. Additionally, the identity of the half-blood prince is pretty obvious; if you think about it using the clues Ms. Rowling gives during the course of the book.3

Though I’m not convinced Ms. Rowling will be able to redeem the series after the wretchedness of the previous book; Harry Potter and the Half-Blood Prince (Book 6) is definitely a step in the right direction.

1 Technically, she released it a week ago but I only just got around to reading it.
2 Actually, many characters get snuffed out in this book but most of them are just names in the Daily Prophet. The character I’m referring to is somebody who’s been in all the previous books.
3 As usual, I got caught up in the story so both the identity of the half-blood prince and the death caught me off guard.

Surprise, there weren’t any links from Pukka this week1 but I did run across a few worth noting:

  • Google Moon: “In honor of the first manned Moon landing, which took place on July 20, 1969, we’ve added some NASA imagery to the Google Maps interface to help you pay your own visit to our celestial neighbor.” Zoom all the way in to find out one of the moon’s secrets.
  • PhotoMuse: “An ambitious project to create one of the largest freely accessible databases of masterwork photography anywhere on the Web, a venture that will bring their collections to much greater public notice and provide an immense resource for photography aficionados, both scholars and amateurs.” Found via the New York Times
  • Hacker Erased Spammer’s Database

1 Come to think of it, I’m not sure he was even in the office this week.

In a recent opinion piece on PCMag.com, Mr. Dvorak shows off his stunning lack of comprehension of the benefits to Creative Commons Licensing.

Will someone explain to me the benefits of a trendy system developed by Professor Lawrence Lessig of Stanford?

CCL is a simple way for content creators to let everybody know what they’ll allow others to do with their work. There’s no lag time in tracking down the content creator/copyright holder/legal department and then phoning/emailing/snail-mailing them to find out if it would be okay to take their work and do X with it (whatever X might be). This simplifcation of the process allowing others to remix existing content is a wonderful benefit to the public and content creators alike. Content creators can take any CC licensed material they like, mix it up into something new and put it back out much more quickly without worrying that they’re going to be sued for breaking somebody’s copyright. The public benefits because this allows a lot more content to be created much more quickly.

A bit later in the article, Mr. Dvorak starts complaining about the optional commercial provisions in the CCL scheme.

This means that others have certain rights to reuse the material under a variety of provisos, mostly as long as the reuse is not for commercial purposes. Why not commercial purposes? What difference does it make, if everyone is free and easy about this? In other words, a noncommercial site could distribute a million copies of something and that’s okay, but a small commercial site cannot deliver two copies if it’s for commercial purposes. What is this telling me?

Provided that the content creator tagged the content as having the Non-Commercial provision in a CC license; then it’s telling you that creator does not want to use their work in a commercial fasion. How hard is that to comprehend? The sad part is you almost picked up on a key reason people use CC licenses but you had to go at it backwards. Yes, a noncommercial site could distribute a million copies (of an appropriately licensed work) for free and that’s a great thing; articularly for the non-mainstream, unknown content creator who just wants to get their work out in the public eye.

Then Mr. Dvorak comes up with this bit of nonsense:

This is nonsense. Before Creative Commons I could always ask to reuse or mirror something. And that has not changed. And I could always use excerpts for commercial or noncommercial purposes. It’s called fair use. I can still do that, but Creative Commons seems to hint that with its license means that I cannot. At least not if I’m a commercial site and the noncommercial proviso is in effect. This is a bogus suggestion, because Creative Commons does not supersede the copyright laws.

If he had done even a modicum of research on the Creative Commons website; he would have found their page detailing the Baseline Rights included in ALL CC licenses. The only thing “bogus” about this suggestion is Mr. Dvorak’s claim that it’s the Creative Commons folk who are making it. A Creative Commons license doesn’t say you cannot have any fair use rights; it simply says “Hey friend, here’s some stuff for you to play with, so long as you’re willing to play by the rules.” And then it gives you a convenient link to check out what those rules are. Along those lines, Mr. Dvorak complained that the Creative Commons folk could sue somebody and ruin what little fair use rights remain to the public and again a quick look through the Creative Commons website puts paid to that bit of nonsense.

For his next delusion, Mr. Dvorak decides the Creative Commons folks are somehow corrupting Public Domain. I would have thought having a clear & concise document specifying that a work has been dedicated to the public domain is a good thing. *shrug* Maybe that’s why I’m a no-name blogger and not an editor at PC Magazine.

There are several more examples peppered throughout the remainder of Mr. Dvorak’s article. All of these examples could have been cleared up if he’d bothered to do a bit of looking around the Creative Commons website, but probably the most basic bit of guff that he writes is in the last paragraph of the article.

And it seems to actually weaken the copyrights you have coming to you without Creative Commons.

With this one sentence, we can see Mr. Dvorak appears to actually understand what a Creative Commons license does1. I would suppose since he has the basic idea that he does not agree with the concept behind Creative Commons and so wrote this rather inflamatory article. It seems to me Mr. Dvorak is suffering from RIAA syndrome. That is to say, he’s an established content creator who just does not understand –and doesn’t want to understand– the evolving landscape of the business environment.

1 A CC license removes the specific restrictions on the use of your content that you decide do not need to be on the content. One could consider this an intentional weakening of the copyright.

Savage Chickens :: An Apple A Day

Savage Chickens is a webcomic that I ran across recently and it’s rather brilliant in its simplicity. One guy, one stack of Post-It notes, one pen and a whole lot of bringing the funny. This one is now permanently added to my Portal page so I won’t forget to hit it during my daily webcomic trawl.